With Alright Sans, Jackson Cavanaugh set out to create a typeface with simple details and a warm underlying structure. Combining elements of the classic grotesque and humanist sans resulted in a straight-forward workhorse with an affable personality. An open structure, a large x-height, and generous proportions make for good legibility in small sizes. Eight weights and matching italics make it a reliable and versatile family that works well across all media; Okay Type 2009
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